(A)(U)N-AMERICAN makes tableaus out of trophy photographs taken by perpetrators rejoicing in their crimes such as Abu Ghraib and the Steubenville rape case. How does identity shift depending on the context of the photographs viewership and how has the availability of cameras and the internet changed our relationship to silence?  The photo has always stood not just as documentation but also as monumentality, the necessity of the moment to be remembered.  Sometimes these monuments involve the shaming or domination of one party over another, but the internet has allowed a new form of speech to occur between people, to share the perspective of those who are abused and to give them the platform to be witnessed by a larger population.  The internet allows the voiceless to spread their message past the confinement of an oppressive community which opens up the balance of right and wrong, the expanded pool breeds a larger look at the aggression of humanity.  The outreach of a problem allows it to be judged by a wider audience, and a sense of human rights extends beyond situational prejudice and become problematized as laws of the human condition.  The roles of power are subverted by the expansive eye of those going online, such as the revolutions that have transpired thanks to Tweets and Facebook.